Our Livewire Tour 2016 tour continues thru the Summer and into the Fall, with shows in the West Coast, Midwest and then back home in the East Coast. Visit our Facebook Events page for regular updates and chances to win free tickets and new T-shirts!
|06 Nov 2016||Baltimore, MD American Visionary Art Museum||American Visionary Art Museum||Buy ticket|
|11 Nov 2016||New York City, NY The Playstation Theater||The Playstation Theater||Buy ticket|
|12 Nov 2016||Cape May, NJ Exit Zero Jazz Festival||Exit Zero Jazz Festival||Buy ticket|
|13 Nov 2016||Cape May, NJ Exit Zero Jazz Festival||Exit Zero Jazz Festival||Buy ticket|
|25 Nov 2016||Philadelphia, PA Philadelphia Museum of Art||Philadelphia Museum of Art||Buy ticket|
|31 Dec 2016||SEE ALL TOUR DATES BY CLICKING THE FACEBOOK LINK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - >||SEE ALL TOUR DATES BY CLICKING THE FACEBOOK LINK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - >|
Red Baraat brought their first ever MELA to the esteemed stages of Celebrate Brooklyn on July 7, 2016. Co-curated by Sunny Jain, the evening brought together some of the top South Asian artists in the US: Karsh Kale Soundsystem, DJ Rekha, Heems (from the rap group Das Racist), Bhi Bhiman, Falu and Shilpa Ray. Thousands rocked all night long and there was a surprise appearance by Top Chef judge and model, Padma Lakshmi, during an impromptu dance off on stage. Find more pics HERE.
March 20 – Nectar Lounge, Seattle feat. DJ Prashant (Tix: http://bit.ly/redbaraat)
March 24 – The Sinclair, Boston (Tix: http://bit.ly/1T5hkOb)
March 25 – The Ardmore Music Hall, Philadelphia (Tix: http://bit.ly/1IXRz1H )
March 26 – The Hamilton, Washington, D.C.(Tix: http://ticketf.ly/1PadNgc )
March 27 – The Bowery Ballroom, New York City (Tix: http://bit.ly/1k5ZKNA )
Famously dubbed “The best party band in years” by NPR, Red Baraat is a pioneering eight-piece band from Brooklyn, New York. Conceived by dhol player Sunny Jain, the group has drawn worldwide praise for its singular sound — a merging of hard driving North Indian Bhangra with elements of go-go, rock and jazz — fueled by 3 master rhythm makers, the muscle of horns, a raucous guitar and a booming sousaphone. Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve. And is being returned to them in cities all over the world, as word spreads of the band’s incredibly powerful live performances.
Livewire, the band’s 2016 EP, is a 5-track scorcher recorded in-studio at Seattle’s KEXP. While still retaining many of the propulsive and uplifting musical elements that fired their previous albums, Livewire marks a departure for Red Baraat as their acoustic instrumentation evolves into new sonic spaces. Notably, the songs on the EP feature dark electric guitar textures and live effects processing from sousaphone and the dhol, the band’s signature instrument. The EP concludes with a bonus track (“Gaadi of Truth”) featuring the drumming and remixing talents of The Police’s Stewart Copeland.
The release of Red Baraat’s 2nd album in 2012, Shruggy Ji, which debuted at #1 on the Billboard World Music charts propelled the band on a nonstop three-year world tour that included performances at Bonnaroo, Austin City Limits, Monterey Jazz Festival and WOMAD, along with clubs, theatres, and arts centers. Along the way, they sold out rooms as diverse as the Luxembourg Philharmonic and the Bowery Ballroom, and performed at the request of The White House, Peter Gabriel, TED and the Olympic Games.
But even as it’s clear that Red Baraat is building a startling history of performances in iconic settings, the band’s bread and butter remains the sweaty clubs, festivals, packed performing arts centers, and college auditoriums that have kept the band on the road all over the world for over 1100 shows to date in their 7 years as a band. It’s here where Red Baraat does what it does best – communing with their audience in a joyful, near hedonistic celebration of music and dance, which tellingly, draws a crowd even more diverse than the players on stage. The universality of what Red Baraat does is undeniable. And this is no happy accident. It is the product of intention and design. Says Jain, “The band…our songs…are addressing the multiplicity of viewpoints,” says Jain. “There’s ‘Zindabad,’ which means ‘Long Live’ in Hindi. In that song, we’re saying that we celebrate life, we celebrate devotion — but we also celebrate agitation and revolution. Question things, and move forward, and support your friends and lovers, and listen to the voice of your heart. Long live all of that; but at the same time, we’re talking about community, about responsibility, about helping one another. We are simple creatures that desire community. If we can unite people of all backgrounds and ethnicities to partake in the exuberance of life through the universal language of music, then life is that much sweeter.”